The Mining Industry in
the Huddersfield District
By D. A. Wray
SIXTEENTH CENTURY DEVELOPMENTS
References to ancient coal-workings now being to be more
numerous, and in the sixteenth century records of the Court
Leets in connection with the Manor of Wakefield there are
allusions to the digging of coal at Flockton in 1515. They
were, however, as yet not very numerous in the immediate
vicinity of Huddersfield. Wood was relatively abundant for
use as ordinary fuel, and it was only for special purposes
such as smiths or lime-burning that coal was employed. From
a survey of the Manor of Almondbury, made by Edward Stanhope
Esq., Surveyor, in Queen Elizabeth’s reign in 1584,
we learn that ‘there are not any mines of cole, lead
or iron within the said Manor of Almondbury, saving a cole
mine of small value digged and wrought by John Lockwood
or by others, by his appointments as in the right of Francis
Samwell, Esqr., Her Majesty’s Farmer there.’*
This was almost certainly a small crop working in the Hard
Bed or Soft Bed coal in the Newsome district. Almondbury
Manor was a very extensive one, and it is clear from the
above record very little had been done up to this period
to mine the numerous coal seams cropping out in a very advantageous
position along the eastern slopes of the Lower Holme Valley.

Stew and Cream Pots, Lindley Moor Pottery,
Salendine Nook
In the middle of the sixteenth century great changes took
place as a consequence of the dissolution of the monasteries.
All the lands owned by Byland Abbey at Denby, Flockton,
Whitely and Emley were purchased by Arthur Kaye, a member
of an ancient Yorkshire family, branches of which have had
long associations both with Denby Grange and Woodsome; and
it has remained in the possession of their descendants to
the present day. Similarly, Bentley and Bretton were granted
to Richard Andrews in 1544, who had license to alienate
them to the Allott family. This included Bentley Grange,
the centre of an extensive iron-ore mining area, where the
Allotts had for some time previously resided as the tenants
of the Abbey. The land owned by Rievaulx Abbey also largely
passed into the hands of the Kayes, while that formerly
held by Fountains Abbey passed into the possession of the
Saville family, whose descendants still own considerable
portions of the original estate. Yet despite these great
changes in ownership the coal industry continued to develop,
while the latter half of the sixteenth century witnessed
the opening out of the several beds of thick fireclay in
the Elland district for the manufacture of earthenware.

Bowls and Pie Dishes, Lindley Moor Potteries,
Salendine Nook
One of the most interesting of these developments took
place at Salendine Nook, two miles to the west of Huddersfield.
Here the rough rock forms a prominent feature at Longwood
Edge and Lindley Moor, and at Salendine Nook it is overlain
by a thick bed of fireclay together with a thin coal seam.
The coal, though seldom more than a few inches thick, is
remarkably persistent. Known in the Bradford district as
the Cottingley Crow Coal, and in the vicinity of Sheffield
as the Pot Clay Coal, it appears to be a continuous seam
throughout the Yorkshire coalfield. A thick bed of fireclay
resting directly on the massive rough rock invariably underlies
it, and in the Sheffield district it has been highly prized
for the manufacture of refractory goods. It contains a high
percentage of alumina, and in some localities strongly resembles
bauxite. At Salendine Nook it is a very pure clay and was
worked for the manufacture of earthenware. These workings
were originally opened out by a Scottish family of the name
of Morton, who were driven from Scotland by the persecution
of the Protestants about the time of the accession of Queen
Elizabeth. Being potters by trade they settled down at Salendine
Nook, mining the fireclay underlying the pot Clay coal,
and establishing a pottery there. These were staffed in
part by their fellow-countrymen, and also in part by workmen
introduced from Staffordshire. For the past three hundred
years the industry has been regularly carried on by the
same family, and it is still being worked by their descendants.

© Copyright of Kirklees Museums and Galleries
|